
Ravello · Amalfi Coast
Marble busts along a balustrade, the sea far below and nothing but sky beyond. Villa Cimbrone’s Terrace of Infinity is one of the most photographed wedding spots in Italy.

Please read first
Tejaswini’s studio is in Pune, India, and there is no Italian branch or local stand-in working under her name. She travels for weddings and pre-wedding shoots, arriving ahead of the first function and staying until the last.
Return flights, Schengen visas and accommodation for the team are paid by the client and appear on separate lines of the quote.
The venue at a glance
A planning summary from public information about the property. Your planner confirms spaces, capacities and permissions for each function.
Function by function

Bright Mediterranean light and real heat. A light, sweat-resistant base, cream colour on the cheeks and a cool, high hairstyle.

Sea air and evening humidity. A matte-satin base that will not slide, sculpted eyes and a style that holds through hours of dancing.

Sun reflecting off the sea and white stone. Long-wear, humidity-proof products, no heavy highlighter and the dupatta fixed against wind.

Warm night light over the water. A refreshed base, a deeper lip and lashes that still read in candle-lit photographs.

A little history
Villa Cimbrone stands on a rocky spur at the edge of Ravello. Its medieval buildings were bought and remodelled from 1904 by Ernest Beckett, later Lord Grimthorpe, who created the gardens that now draw visitors from all over the world.
The garden’s long avenue ends at the Terrace of Infinity, a belvedere lined with marble busts that looks straight down the coast. Today the villa is a small hotel, and its gardens are also open to the public by day.
For the bride, that means planning around visitors and access on foot: getting ready in the villa, portraits in the gardens when they are quiet, and a hairstyle that will hold on an exposed terrace.
Specific to this venue
The wedding day
We ask for a room with good window light and a second room close by for family makeup, so the bride’s room stays calm.
Family looks run in parallel with the bridal skin prep, timed so nobody waits in the corridor.
Hydration, primer and a base built for bright, exposed cliff-top light.
Maang tikka, nath and dupatta set with the outfit on, checked from every angle the photographer will use.
First photographs while the makeup is at its freshest, before the busiest part of the day.
One artist stays near the mandap with a touch-up kit: blotting papers, powder, lip and spare pins.
New lip, refreshed eyes and a second hairstyle if planned; allow 60–75 minutes.

Her work
Real brides styled by Tejaswini in India. The same hands and kit travel to Amalfi Coast.





Tejaswini
Tejaswini has styled more than a thousand Indian brides since 2012 and plans cliff-top weddings around heat, wind and steps. At Villa Cimbrone she builds a humidity-proof look that glows rather than shines, a wind-proof hairstyle for the terrace and a portable touch-up kit for the gardens.
Watch
Villa Cimbrone questions
Yes. Tejaswini’s team flies from India for weddings at Villa Cimbrone and covers each function for the bride, family and bridal party. The team’s flights, Schengen visas and rooms are paid by the family.
Ceremonies and dinners are possible by arrangement; numbers are limited, and your planner confirms what is allowed.
Ideally in a room at the villa, as it is reached on foot through Ravello’s lanes.
Early morning or late afternoon, when the light is softer and there are fewer visitors.
It suits intimate weddings; larger groups usually split functions across Ravello venues.
Message us with the dates, functions and the number of people who need hair and makeup. The quote lists the artist fee and the travel costs on separate lines.
Keep comparing
Shortlisting more than one property? Each has its own guide.
Villa Cimbrone bookings
Share the dates and the list of functions, and tell us which spaces you are considering. We will send availability, a suggested team size and an itemised quote, with the team’s travel shown on its own line.
